She wasn't my grandmother.
In the end, you know,
she wasn't anyone I knew.
Really, she wasn't anyone at all.
She was grey and bones,
and skin,
and tubes and blankets and coughs,
like some sci-fi alien monster
out to destroy or rule the world,
or both.
But three weeks ago, and four, and five,
and all that time before,
she was Pepsi first thing in the morning
and she was Midwestern beer at midnight.
She was TMZ and 12:30 p.m. and Judge Judy at 3 p.m.
and history books at 7.
She was pixie cuts and CoverGirl and she was,
"This is much too big for me, do you think
it might fit you?"
She was fudge and glass candy at Christmas,
she was ham on Easter,
she was the best Thanksgiving stuffing anyone
could ever make.
She was crazy earrings and too-big dentures and
she was every sale at Kohl's and Wal-Mart and Big Lots.
She was Fox 10 News, Sherriff Joe's biggest fan and
Obama's biggest critic, and
God help you if you had a visible tattoo,
or worse, a piercing.
And she was there,
always cheering,
always loving,
always willing to lend a hand or
a shoulder or
a book or
just a word.
She was my grandmother.
She was my Gramma.
And now she isn't.
RIP Barbara Janet Jacobson
Feb. 11 1938- Dec. 14 2010
Showing posts with label soot and poo. Show all posts
Showing posts with label soot and poo. Show all posts
12.14.2010
11.07.2010
In Which I've Lit a Candle And Am Now Listening to Amanda Palmer.
she's the one who can't lie worth a damn,
and that's really what matters here,
so forgetting never lasts long enough for her
she's the kind of girl who needs to feel
to talk it through and write it down and let it out
clear the air or smoke it up
but she isn't the one who slams percussive screams
to the other kindly ones and
she's not the one who lives in the walls
and eats them from the inside out and
she's tried and couldn't use it in her art
but she's really very good at feeling
and no one can talk quite as much as her.
and that's really what matters here,
so forgetting never lasts long enough for her
she's the kind of girl who needs to feel
to talk it through and write it down and let it out
clear the air or smoke it up
but she isn't the one who slams percussive screams
to the other kindly ones and
she's not the one who lives in the walls
and eats them from the inside out and
she's tried and couldn't use it in her art
but she's really very good at feeling
and no one can talk quite as much as her.
10.18.2010
In Which I Am Overwhelmed, and Also There Are Probably Mice Nesting In My Mattress.
Something is gnawing
and I don't mean in some intangible
cry-it-out feelings kind of way
I mean, really, gnawing
chewing at my bed frame or my wall
and I can't see what it is
but I think it's probably mice
but since I did bring them up
let's talk about feelings
and how much they are like mice
how they nest
how they scrittle around, hidden
how they run out at unexpected or inopportune moments
how they breed so quickly
and how cats can sometimes chase them away and
how it would be so much easier to sleep
without this incessant
gnawing.
and I don't mean in some intangible
cry-it-out feelings kind of way
I mean, really, gnawing
chewing at my bed frame or my wall
and I can't see what it is
but I think it's probably mice
but since I did bring them up
let's talk about feelings
and how much they are like mice
how they nest
how they scrittle around, hidden
how they run out at unexpected or inopportune moments
how they breed so quickly
and how cats can sometimes chase them away and
how it would be so much easier to sleep
without this incessant
gnawing.
9.16.2010
In Which I Don't Know.
so here it is,
that overflowing empty breath,
ragged and rasping and hot.
that old face you never recognize
the first time.
those claws
pulling everyone under you
to hold you up
despite their pleas and protests -
i'm not a foundation, i'm not a rock, i'm a person.
here it is again,
that useless vacuum,
those wet blurred intersections.
those lonely spaces full of secret
primal screams and old infected scars,
and you know them more than yourself
(you know everything more than yourself).
that clinging familiarity,
that revulsion.
that overflowing empty breath,
ragged and rasping and hot.
that old face you never recognize
the first time.
those claws
pulling everyone under you
to hold you up
despite their pleas and protests -
i'm not a foundation, i'm not a rock, i'm a person.
here it is again,
that useless vacuum,
those wet blurred intersections.
those lonely spaces full of secret
primal screams and old infected scars,
and you know them more than yourself
(you know everything more than yourself).
that clinging familiarity,
that revulsion.
7.28.2010
In Which I Miss Being Able To Stay Up All Night.
ain't no comfort here, oh no.
ain't no good-time-girls tonight,
no whiskey shots and no
fireplace stoked, 'cuz
ain't no warmth inside
this shanty town this time
ain't no comfort here, not here
where that breeze blows hot and
the Big Man's the only one who'll
give you a ride
well, ain't no music here this time,
boy, ain't no
jazz, no swing,
ain't even no blues hangin' 'round
these crossroads tonight
ain't no comfort here tonight.
http://en.wikipedia.org/wiki/Robert_Johnson_%28musician%29#Devil_legend
ain't no good-time-girls tonight,
no whiskey shots and no
fireplace stoked, 'cuz
ain't no warmth inside
this shanty town this time
ain't no comfort here, not here
where that breeze blows hot and
the Big Man's the only one who'll
give you a ride
well, ain't no music here this time,
boy, ain't no
jazz, no swing,
ain't even no blues hangin' 'round
these crossroads tonight
ain't no comfort here tonight.
http://en.wikipedia.org/wiki/Robert_Johnson_%28musician%29#Devil_legend
7.26.2010
In Which My Skin Feels Like I Have a Fever.
can we just live in
arms, please?
in my arms and yours,
wrapped
wholesome and warm,
and never leaving you
nauseous from your thighs
to your ribcage
aching from your scalp
to your fingertips,
never leaving you burning
bones to skin or
shaking in between --
never leaving you at all?
arms, please?
in my arms and yours,
wrapped
wholesome and warm,
and never leaving you
nauseous from your thighs
to your ribcage
aching from your scalp
to your fingertips,
never leaving you burning
bones to skin or
shaking in between --
never leaving you at all?
7.18.2010
In Which I Have a Headache.
so here's another
lost-soul-baby-girl
crying at four a.m.,
inhaling her failures
along with the nicotine.
life is oh so tough, isn't it,
when you're in-between
and underpaid?
when prayer is
less effective and
harder to come by and
burns your insides more
than the contents of the
bottles on your
nightstand.
give it up, give it up,
baby girl,
cuz no one's gonna steer
this ship to shore.
no one's gonna anchor you down.
no crew to help you weather
this storm.
i'm not here to unmix your
metaphors, not gonna
take the wheel or
be your wings or
carry you home.
no one has the key.
not you. not even you.
lost-soul-baby-girl
crying at four a.m.,
inhaling her failures
along with the nicotine.
life is oh so tough, isn't it,
when you're in-between
and underpaid?
when prayer is
less effective and
harder to come by and
burns your insides more
than the contents of the
bottles on your
nightstand.
give it up, give it up,
baby girl,
cuz no one's gonna steer
this ship to shore.
no one's gonna anchor you down.
no crew to help you weather
this storm.
i'm not here to unmix your
metaphors, not gonna
take the wheel or
be your wings or
carry you home.
no one has the key.
not you. not even you.
7.06.2010
In Which Lame Things Are Happening to Relatively Good People.
they say bad things happen
in threes, so
one -- you woke up
this morning
before the sun, even though
it's summer and at this
time of year, the sun rises
even before the birds
start to wail and
two -- glass on the asphalt
glints prettier in the daylight
than the stars ever bother,
cuts so deep and smooth
you don't even notice until
you're bleeding
and then, finally,
three -- you're lost,
standing in the bright hardness
of this panting city and
wondering
how you got here,
where you were going,
why no one cares enough
to help you home.
in threes, so
one -- you woke up
this morning
before the sun, even though
it's summer and at this
time of year, the sun rises
even before the birds
start to wail and
two -- glass on the asphalt
glints prettier in the daylight
than the stars ever bother,
cuts so deep and smooth
you don't even notice until
you're bleeding
and then, finally,
three -- you're lost,
standing in the bright hardness
of this panting city and
wondering
how you got here,
where you were going,
why no one cares enough
to help you home.
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